Really, we would love to have you stay but we would feel rude about that as we have left. As in gone, defunct, kaput. We aren't here anymore. Sometimes, when it's late and we are worried about dying, we do believe in reincarnation. So, maybe we will live again. We'll let you know if that happens.
I am tired of myself.
Taking up too much space in the grocery store on an afternoon bruised with stress.
Where is the priest with the bullet in his bathrobe on the lawn of
Not on the cereal aisle. Not in my car. Not on the ballot. Not without struggle.
I do not know myself.
Choices are made, milk is drunk, rent was due.
Who am I but a reflection of you? And you and you and you.
Trust the billboard that reminds us to pay attention.
I am trying to listen.
Jorn Ake, a contributing editor for The Indelible Kitchen, is the author of All about the Blind Spot and Other Poems (Popular Ink) and Asleep in the Lightning Fields (Texas Review Press & winner of the X. J Kennedy Award).
Ake worked as a painter (of pictures of the fine arts variety, not of houses) before moving to
Ake is a winner of an Arizona Commission on the Arts Creative Writing Fellowship. This grant helped support work on his current manuscript, Boys Whistling like Canaries, begun when Ake lived in
While Ake enjoys a good interpretive dance, he says that he never understands quite what he is interpreting and who is receiving the message. We hope to get some footage of him dancing soon.
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Emily Anderson recently received her
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A recipient of the Tennessee Commission for the Arts Individual Fellowship in 2006, M. C. Boyes has been featured in Fiction International, Rhino, Hawaii Pacific Review, and Spoon River Poetry Review, among others. Boyes is the author of Gingko, Pigeon, Light: A Fable, Popular Ink, 2006 and editor of the anthology, The Way We Work: Contemporary Writings about Americans and Their Work Experience forthcoming from Vanderbilt University Press.
When not writing, Boyes spends an inordinate amount of time sorting through jelly beans and arranging them by color. Boyes claims to be scared of canned cheese dip, but insists on sending lengthy cover letters to us, thus risking a delivery of a case of the stuff. Despite the fact that we know almost everything about Boyes from the aforementioned cover letters, we have yet to learn of his/her gender and know nothing of his/her sex life. We don’t know where he/she stands on interpretive dance.
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Contributing editor Tracey Cockrell has been featured in the Fitchburg Art Biennial,
Review’s of Tracey Cockrell’s work can be found in Sculpture Magazine, Art New England, The Boston Sunday Globe, The
Cockrell, a former professor of sculpture and new media at Maine College of Art, now lives and works and dances in
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Jeff Crouch lives in
Here are a few places where you can read Crouch’s work: Canopic Jar, Cordite, The Dead Mule School of Southern Literature, Laika Poetry Review, Literary Chaos, Locust Magazine, Media Cake (formerly Experimental Candy), PFS Post, saucy vox, semantikon, SN Review, Subterranean Quarterly and Wire Sandwich.
Crouch has work forthcoming. Again, we had to edit so that you would not want to throttle Jeff Crouch for being so damned prolific. Here are some places were you will soon be able to read more of Jeff Crouch’s work: Blue Fifth Review, Brink Magazine, Theaker's Quarterly Fiction, Sein und Werden, and Vibrant Gray.
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James Robert Daniels has been published in books ranging from the U.S. Navy's Concept of Operations to the Fabjob Guide to Become An Inventor, and in magazines including Boys' Life, Inventor's Digest, Classic Boat in the
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Colorado native Tabitha Dial ditched the idea of working for a few months in Antarctica so she could hustle for a community Web site and newspaper called YourHub.com in Denver while riding her bicycle to work and the grocery store for a couple years (We, the editors at Indelible, are guessing that this bicycle riding was done outside of work and that it was not a continuous activity, but you will have to ask Tabitha about the truth. We certainly have found that bicycle riding and writing are not compatible simultaneous activities. For all we know, Tabitha has a really steady hand, a knack for multi-tasking and some of the most well-developed calf muscles in all of Colorado.)
Before moving, in August of 2007, an hour and a half north to
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Ira Joel Haber was born and lives in Brooklyn
His paintings, drawings and collages have been published in Otoliths, Foliate Oak, Siren, Dirt, DMQ Review, Broadsided, Eclectica Magazine, Ascent, and Blue Print Review, among many, many others.
Haber has received three National Endowment for The Arts fellowships, two Pollock-Krasner grants and, in 2004, The Adolph Gottlieb Foundation grant. Currently he teaches art at the United Federation of Teachers Retiree Program in
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Gentry Hoffman lives in
Gentry Hoffman does not like to capitalize proper nouns but we do, so we fixed them for him.
Based on the following statement, it is clear that Gentry Hoffman has read our guidelines:
“just ask my numerous and varied lovers. Like one time, there was this girl who I met in the grocery aisle near the cheese dip--you know, the kind that stays fresh for at least six months after opening...”
Gentry Hoffman hates interpretive dance, but if you press him hard enough, he will do a lovely little number for you.
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Alyssa Kelly is a teacher, poet, and singer/songwriter. She received her Master's Degree in Creative Writing from the
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Melanie Lamaga has a BA in Photography and an
Melanie is also a fantastic interpretive dancer. We hope that some day her path will cross with Roy Scholten’s. We have a song in mind (by Job for a Cowboy) that we know they would do justice to.
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Popular Ink author Nathan Long grew up in an antebellum cabin of chestnut logs and mud and horse hair chinking. He went to college for far too long, but learned about life hiking the Himalayas, meditating in a Buddhist monastery in
Long is a devotee of water, especially swimming naked. He is also good at drinking water and uses it well for hygiene purposes.
Long’s writing has managed to slip into journals such as Glimmer Train, Indiana Review, Story Quarterly, The Sun, and Tin House. Long contends that this is because he writes such short pieces. He is researching how to collapse the ribcage of words, to get them into even smaller spaces. He is the author of The Dog and The Last Hot day of Summer (Popular Ink).
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COREY MESLER is the owner of Burke’s Book Store, in
Mesler’s work has appeared in Rattle, Pindeldyboz, Quick Fiction, American Poetry Journal, Thema, Mars Hill Review, Adirondack Review, Poet Lore and New Stories from the South: The Year’s Best (Algonquin Books, 2002)
Mesler is the author of the novels Talk (2002) and We Are Billion-Year-Old Carbon (2006) for which he got a lot of nice blurbs by some very famous writers, but is explicitly against the populist inclinations of Popular Ink for us to mention who these very famous nicely blurbing people are.
His latest chapbooks are Short Story and Other Short Stories (2006), The Hole in Sleep (2006), The Lita Conversation (2006) and The Agoraphobe’s Pandiculations (2006). His poem, “Sweet Annie Divine,” was chosen for Garrison Keillor’s The Writer’s Almanac. He also claims to have written “Gypsies, Tramps and Thieves.”
Mesler says he can be found at www.coreymesler.com, but we think he is probably at home or in his book store rather than floating around the ether.
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Rebecca Prashner is a sophomore at a high school that we will not name in a place that we will not name because Rebecca Prashner is not yet 18 and we don’t want any weirdos bothering her. Rebecca Prashner is not even her real name, so don’t get any wise ideas.
Prashner only gave us information on her school and the fact that she is a sophomore. We are pretty damned impressed with this though.
We are sad to say that Prashner did not mention any experience with interpretive dance. We might also note that Prashner, as far as we know, does not make origami or listen to death-metal. We are pretty sure, however, that Prashner brushes her teeth.
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Roy Scholten is a multimedia designer, illustrator and animator from
Scholton enjoys listening to death-metal and early nineties trash while obsessively creating origami. Scholton is especially fond of giant paper birds and has amassed a collection of over two thousand of these. While we can’t confirm this, we have heard that Scholton is choreographing some jazz moves for his paper birds and will debut them in the short film “Origami, Birds, Jazz, Early Nineties Trash, Death-metal.” The score will performed by Slayer.
Scholton is also a master in interpretive dance.
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Felino Soriano lives in
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Louise Weinberg’s art has been exhibited in over 150 shows nationally and internationally.
Weinberg, an independent curator/exhibition manager, has put together exhibitions for the Queens Museum of Art, The Hudson River Museum,
For the past 20 years, Weinberg has lived and made art in
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Zack Wilson was born in Skegness,
He has worked as a clerk, a cook, a labourer and a teacher, and is now a clerk again. (We don’t know what a clerk actually does, but we are betting that
4 comments:
Great title
at least one person is trying to listen.
you've got something here worth hearing and listening to
beautiful and moving
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